Allen And Heath
GLD2-112 Chrome Edition Compact Digital Mixing Surface; Compact
digital mixer with scalable, remote I/O; Systems from 4 to 48
mics; Easy to use, quick to access, analogue style interface;
dSNAKE Cat5 digital snake—up to 120m cable length; 8.4 inch colour touchscreen for graphical
view and setup; 28 faders, 4 layers, 112 channel strips in a
freely customizable layout; 48 input channels into 30 assignable
buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs; 8
stereo RackFX engines with dedicated ‘short’ returns with 4-band
PEQ; Full processing on all inputs including trim, polarity,
HPF, insert, gate, 4-band PEQ, compressor and delay; Full
processing on all outputs including insert, PEQ, GEQ, compressor
and delay; Deep processing embedded plugins including GEQ and
compressor models; Automatic Mic Mixer with up to 44 microphone
sources; LR, None (monitors), LR+M (sum), LR+M (bus), LCR main
mix modes; USB stereo recording and playback; 16 DCAs / mute
groups; Built-in Talkback, RTA and Signal Generator; I/O module
options for FOH/Monitor split, multitrack recording, link to
iLive and more; MIDI In/Out and Ethernet Network port;
Compatible with ME Personal Mixing System; High end 1dB step
recallable mic/line preamps; User definable channel names and
colours; Engineer’s mono Wedge and stereo IEM strips; Input,
output and insert soft patchbays; Quick copy, paste and reset of
mixes and parameters; Libraries, Scenes and Show memories with
USB transfer; Scene Filters, crossfades and automated recalls;
Get started quickly with Template Shows; Password protectable
user profiles; Dimensions 47.0" x 30.0" x 11.0"; Weight 58.6 Lbs
General Information
|
Manufacturer |
Allen And Heath |
Manufacturer Part Number
|
GLD2-112 |
Product Name |
Chrome Edition Compact Digital Mixing
Surface |
UPC Code |
|
Overview |
GLD-112 is a larger version of the popular
GLD-80 mixer, with an extra bank of 8 control strips,
increasing the channel count to 28 fader strips in 4
layers
GLD is a user-friendly, cost effective and scalable live
digital mixing system, conceptually based on the hugely
successful digital iLive series. Plug n’ play I/O
expanders make it easy to build systems with up to 48 mic
inputs, supported by a full suite of apps, software and
personal monitoring solutions
GLD-112 provides 48 input processing channels, 8 stereo FX
returns fed by our acclaimed FX emulations, 30
configurable buses, 20 mix processing channels, and DSP
power to provide full processing without compromise
Now in a new GLD Chrome Edition, with sleek new styling,
Automatic Mic Mixing, new embedded plugin FX and new
compressor models on all channels |
Features |
Compact digital mixer with
scalable, remote I/O
Systems from 4 to 48 mics
Easy to use, quick to
access, analogue style interface
dSNAKE Cat5 digital
snake—up to 120m cable length
8.4 inch colour
touchscreen for graphical view and setup
28 faders, 4 layers, 112
channel strips in a freely customizable layout
48 input channels into 30
assignable buses (Aux, Group, Matrix, Main, FX Send)
into 20 mix outputs
8 stereo RackFX engines
with dedicated ‘short’ returns with 4-band PEQ
Full processing on all
inputs including trim, polarity, HPF, insert, gate,
4-band PEQ, compressor and delay
Full processing on all
outputs including insert, PEQ, GEQ, compressor and delay
Deep processing embedded
plugins including GEQ and compressor models
Automatic Mic Mixer with
up to 44 microphone sources
LR, None (monitors), LR+M
(sum), LR+M (bus), LCR main mix modes
USB stereo recording and
playback
16 DCAs / mute groups
Built-in Talkback, RTA and
Signal Generator
I/O module options for
FOH/Monitor split, multitrack recording, link to iLive
and more
MIDI In/Out and Ethernet
Network port
Compatible with ME
Personal Mixing System
High end 1dB step
recallable mic/line preamps
User definable channel
names and colours
Engineer’s mono Wedge and
stereo IEM strips
Input, output and insert
soft patchbays
Quick copy, paste and
reset of mixes and parameters
Libraries, Scenes and Show
memories with USB transfer
Scene Filters, crossfades
and automated recalls
Get started quickly with
Template Shows
Password protectable user
profiles
|
Specifications |
Inputs |
Mic/Line Inputs
|
Balanced, (All XLR)
Mic/Line Preamp: Fully recallable
Input Sensitivity: ‐60 to +15 dBu
Analog Gain: +5 to +60 dB, 1 dB steps
Pad: ‐20 dB
Maximum Input Level: +32 dBu
Input Impedance: more than 4 kOhms (pad out), more
than 10 kOhms (pad in) |
Mic/Line Channel
Noise
|
20 Hz - 20 kHz, Direct Out at unbalanced
out
Mic EIN: ‐127 dB with 150 ohm source
Unity Gain (Pad In): ‐90 dBu
Low Gain (5 dB, Pad Out): ‐93 dBu
Mid Gain (30 dB, Pad Out): ‐89 dBu |
Mic/Line Channel
THD+N
|
20 Hz - 20 kHz, Direct Out at unbalanced
out,
Unity Gain (Pad In): 0.005 percent ‐86 dBu at 1
kHz, 0 dBu output
Low Gain (5 dB, Pad Out): 0.003 percent ‐89 dBu at
1 kHz, 0 dBu output
Mid Gain (30 dB, Pad Out): 0.004 percent ‐88 dBu
at 1 kHz, 0 dBu output |
RCA |
RCA Line Inputs: Unbalanced
Input Sensitivity: ‐24 to +24 dBu, nominal 0 dBu
Trim: +/‐24 dB, recallable
Maximum Input Level: +18 dBu
Input Impedance: more than 10 kOhms
RCA Channel Noise: ‐92 dBu 20 Hz - 20 kHz
RCA Channel THD+N: 0.0035 percent ‐90 dBu at 1 kHz,
0 dBu output |
Outputs |
XLR Outputs: Balanced, Relay
protected
Output Impedance: less than 75 ohms
Nominal Output: +4 dBu = 0 dB meter reading
Maximum Output Level: +22 dBu
Residual Output Noise: ‐91 dBu (muted, 20 Hz - 20
kHz) |
Audio Outputs
(RCA)
|
RCA Line Outputs: Balanced, Relay
protected
Output Impedance: less than 75 ohms
Nominal Output: 0 dBu = 0 dB meter reading
Maximum Output Level: +18 dBu
Residual Output Noise: ‐94 dBu (muted, 20 Hz - 20
kHz) |
Digital
Outputs
|
48 kHz sampling rate
SPDIF: RCA, 600 mV, coax terminated input 75 ohms
AES3 2 Ch XLR Output: XLR, 2.5 Vpp balanced
terminated 110 ohms |
System |
Measurement
Conditions
|
Measured balanced XLR in to XLR out, 20 Hz
- 20 kHz, minimum gain, pad out |
Dynamic Range
|
112 dB
|
Signal to Noise
Ratio
|
‐90 dB
|
Frequency
Response
|
0 / ‐0.25 dB at 20 Hz, 0/‐0.5 dB at 20 kHz
|
THD+N
|
System Peak Level THD+N: 0.0055
percent ‐68 dBu at +17 dBu output, 1 kHz
System Line level THD+ N: 0.0022 percent, ‐84 dBu
at +9 dBu output, 1 kHz |
Headroom |
+18 dB
|
Operating
Level
|
0 dBu, internal
|
dBFS Alignment
|
+18 dBu = 0 dBFS (+22 dBu at XLR output)
|
Metering |
Meter Calibration: 0 dB meter = ‐18
dBFS (+4 dBu at XLR out)
Meter Peak indication: ‐3 dBFS (+19 dBu at XLR out)
Meter Type: Fast (peak) response |
Sampling Rate
|
48 kHz +/‐100 PPM
|
ADC |
24-bit Delta-Sigma
|
DAC
|
24-bit Delta-Sigma
|
Latency |
1.49 ms (local XLR in to XLR out)
0.68 ms (local XLR in to digital out) |
USB |
USB Playback: 2 channel, WAV, FLAC
44.1 / 48 kHz
USB Record: 2 channel, 48 kHz / 16-bit - WAV |
I/O Port
|
64 channel bi-directional
|
I/O Card
|
AandH ACE, MADI, Dante, ES, Waves, MMO
(optional)
|
Operating
Temperature
|
32 to 95 degree fahrenheit (0 to 35 degree
celsius)
|
Mains Power
|
100 ‐ 240 VAC, 50 / 60 Hz, 110 W max |
Mix
Processing
|
Channels |
20 Mix Channels: Configure as
mono/stereo Groups, Aux, Main, Matrix; Mains = None, LR,
LCR. LR+M(bus), LR+M(sum) |
External Input
|
Assignable source
|
Trim |
+/‐24 dB digital trim
|
Polarity |
Normal/reverse
|
Insert |
Assign to any sockets, in/out, +4 dBu/‐10
dBV level
|
Delay |
Up to 170 ms, Bypass switch
Mix global setting ‐ ms, feet, meters, samples |
Graphic EQ
|
Type: Constant 1/3 octave, 28 bands
31 Hz - 16 kHz
Gain: +/‐12 dB
GEQ Fader Flip Mode: 2 overlapping frequency banks
on strip faders, SEL key resets frequency band to 0 dB,
RTA following PAFL is displayed on strip meters |
Parametric
Equalizer
|
Type: 4-Band fully parametric,
+/‐15 dB
Frequency Range: Global setting for Mixes = 20 Hz
- 20 kHz or 'Analog'
Analog Ranges: 20 - 200 Hz, 35 Hz - 1 kHz, 500 Hz -
15 kHz, 2 - 20 kHz
Band 1: Selectable LF Shelving, Bell, Hi‐Pass
Band 2: Bell
Band 3: Bell
Band 4: Selectable HF Shelving, Bell, Lo-Pass
Bell Width: Non-constant Q, variable, 1.5 to 1/9th
octave
Shelving Type: Classic Baxandall
Hi‐Pass, Lo‐Pass Filter: 12 dB/octave |
Compressor |
Sidechain: Self key, In/Out, Sel
'listen'
Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz
- 5 kHz
Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz
- 20 kHz
Threshold: ‐46 to 18 dBu
Ratio: 1:1 to infinity
Attack: 300 us - 300 ms
Release: 100 ms - 2s
Knee: Soft/Hard
Manual Types: Peak Manual, RMS Manual
Auto Types: VocalAuto, OptoAuto, PunchBag, filter
in/out with sel 'listen' |
Talkback |
Assignable source,
Mode: Latched/Momentary, PAFL Dim option
High Pass Filter: 12 dB/octave, 20 Hz - 2 kHz
Routing: To Groups, Aux, Main, Matrix
Level Trim: +/‐24 dB |
Signal
Generator
|
Sine, White Noise, Pink Noise, Bandpass
Noise,
Sine, Bandpass sweep 20 Hz - 20 kHz
Controls Level, Mute
Routing To Groups, Aux, Main, Matrix |
RTA |
31‐bands 1/3 octave 20 Hz - 20 kHz
Source: Follows selected PAFL source
Peak Band Indication: Option to display dominant
frequency |
Control |
Touchscreen
|
8.4" TFT, 800 x 600 resolution
|
Faders |
100 mm motorized
Fader Strips: 3 Banks (12,8,8), 4 Layers = 112x
strips
Strip Display: LCD per strip, assignable backlight
colors |
Softkeys |
14 assignable
|
MIDI |
MIDI In and Out
|
Network |
TCP/IP Ethernet |
Effects |
Internal
Processing
|
Internal FX: 8x RackFX engine
Types: Reverbs, Delays, Modulators, Sub‐harmonics,
Pitch Shift, Rotary Speaker, De-Esser
Mode: Send more than Return, Inserted, Daisy Chain
FX
FX 'Short' Return Channels
8 Stereo Dedicated Returns: Adds to inputs for
up to 56 sources to the mix
Controls: Fader, Pan, Mute, Routing to Grp, Aux,
FX, Main
FX Return PEQ: Same as Input Channel PEQ |
Input
Processing
|
Channels |
48 Processing Channels: Mono = 1-44, Stereo
= 45/46, 47/48
|
Trim
|
+/‐24 dB digital trim
|
Polarity
|
Normal/Reverse
|
High Pass
Filter
|
12 dB/octave 20 Hz - 2 kHz
|
Insert |
Assign to any sockets, In/Out, +4 dBu/‐10
dBV level
|
Delay |
Up to 85 ms, Bypass switch
Input global setting ‐ ms, feet, meters, samples |
Gate |
Sidechain: Self key, In/Out, Sel
'listen'
Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz -
5 kHz
Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz
- 20 kHz
Threshold: ‐72 to +12 dBu
Depth: 0 to 60 dB
Attack: 50 us to 300 ms
Hold: 10 ms to 5 s
Release: 10 ms to 1 s |
Parametric
Equalizer
|
Type: 4‐band fully parametric,
+/‐15 dB
Frequency Range: Global setting for Inputs = 20 Hz
- 20 kHz or 'Analog'
Analog Ranges: 20 - 200 Hz, 35 Hz - 1 kHz, 500 Hz -
15 kHz, 2 - 20 kHz
Band 1: Selectable LF Shelving, Bell, Hi-Pass
Band 2: Bell
Band 3: Bell
Band 4: Selectable HF Shelving, Bell, Lo-Pass
Bell Width: Non-constant Q, variable, 1.5 to 1/9th
octave
Shelving Type: Classic Baxandall
Hi-Pass, Lo-Pass Filter: 12 dB/octave |
Compressor |
Sidechain: Sel f key, In/Out, Sel
'listen'
Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz -
5 kHz
Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz
- 20 kHz
Threshold: ‐46 to 18 dBu
Ratio: 1:1 to infinity
Attack: 300 us - 300 ms
Release: 100 ms - 2 s
Knee: Soft/Hard
Manual Types: Peak Manual, RMS Manual
Auto Types: VocalAuto, OptoAuto, PunchBag |
Channel Direct
Out
|
Individual trim (per channel), Options:
Source, follow Fader, follow Mute (global for all) |
General |
Dimensions
|
47.0" x 30.0" x 11.0" |
Weight
|
58.6 Lbs |
A-20170919-1821-200-L
*This item is
BRAND NEW - not refurbished. It comes with all manufacturer
supplied accessories; and full manufacturer's USA warranty.
|