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Canon 7920A001 GL-2 Mini DV 3 CCD
Camcorder, 20x Optical/100x Digital Zoom, Color Viewfinder, 2.5" LCD Screen.
4.2-84mm f/1.6-2.9 (L-Series Fluorite Lens). Focus (Ring), Exposure, White
Balance, TV/AV Image Control, Picture Control, Shutter Speed (1/8 -
1/15,000), Audio Level Control. PCM Digital Stereo, 12-bit/32kHz/4ch,
16-bit/48khz/2ch.
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General
Information |
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Manufacturer |
Canon |
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Manufacturer Part
Number |
7920A001 |
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Product Name |
Camcorder |
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Marketing Information |
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Setting a performance benchmark for a prosumer-level
camcorder, the GL2 offers high-quality digital video - up to 530
lines of resolution. Building on Canon's expertise in 35mm
photographic and broadcast TV lenses, the GL2 is equipped with
Canon's exclusive L-Series Fluorite optical technology for
outstanding imaging power and shooting versatility in a lightweight,
portable design. The camcorder's three CCDs deliver outstanding
picture quality, highly accurate color reproduction and a wide
dynamic range with virtually no color noise. On top of that, Canon
has improved a broadcast technology to create a new form of Pixel
Shift, producing greater picture quality than that of camcorders
using CCDs with almost twice the number of pixels. In addition to the camcorder's high video quality,
it incorporates a built-in Digital Photo mode for capturing crisp,
high-definition photos up to 1488 x 1128 pixel. |
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Features |
Achieve Super High Resolution
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The camcorder maximizes the capability of the
DV format by using a 3 CCD system, assigning a
separate CCD to each primary color (red, green, blue). A
beam-splitting prism precisely separates the light passing
through the lens into individual color components, and each
is sent to its own CCD. This process achieves outstanding
detail with highly accurate color reproduction, suitable for
the demands of the high-end production field - wide dynamic
range, low color noise, natural color resolution and low
aliasing. |
Pixel Shift
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This feature solves common shooting dilemmas
by using a signal processing technique called Pixel Shift,
which has been used in professional grade video cameras for
many years. It achieves wider dynamic range, reduced
vertical smearing and sharper digital still images.
The green component of a video signal contains 60% of the
picture detail, and the red and blue components comprise
only 40%. The green CCD in the camcorder is shifted
vertically and horizontally the equivalent distance of 1/2
pixel from the red and blue CCD. The green signal is then
sampled more frequently to extract the maximum picture
detail from the video signal. This allows the camcorder to
achieve resolution equal to camcorders with nearly twice as
many pixels in video recording. |
L-Series Fluorite Optical System
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Canon has satisfied the demands of
experienced image makers for years through the power, design
and quality of their 35mm and broadcast TV lenses. The
professional L-Series lenses utilize Fluorite, a material
which provides outstanding resolution, contrast and color
reproduction, especially in lightweight, high-magnification
lenses. Now incorporated into the lens on the GL-2, Fluorite
delivers the ultimate clarity and image quality.
The Fluorite element inside of the lens defeats color
aberration - the effect when components of light stray from
one another within a lens, causing a reduction in sharpness,
contrast and color. The Fluorite lens precisely controls
components of light, providing an excellent balance of these
three critical ingredients of picture quality. This is
unobtainable with conventional optical glass. |
Optical and Digital Zoom
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The camcorder incorporates a 20x optical zoom
lens which transforms distant subjects into dramatic
close-ups. The 20x optical zoom is the 35mm focal length
equivalent to 39.5 to 790mm. The digital zoom, capable of
extending to 40x and a maximum of 100x, provides sharper
detail compared to others, thanks to Canon's superior lens
quality. You'll capture details too distant to be seen with
just the eye alone. At full telephoto, the 35mm focal length
equivalent is an amazing 79,000mm. |
Optical Image Stabilization
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Canon's superb optical stabilization system
eliminates image shake due to a wide range of movement
and/or high wind conditions. It corrects camera shake
instantly. Even hand-held shots at full telephoto, and shots
taken from a moving car, are smooth and steady. And since it
is optical, there is no loss of image quality as with
electronic image stabilizers. |
Three Recording Modes
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Normal Movie Mode
By merging Canon's superior lens quality with 3 CCDs,
the GL2 delivers stunning resolution and color
reproduction - some of the best images outside of a TV
studio. This mode records video in the standard
interlaced fashion similar to conventional camcorders.
Normal Movie Mode is ideal for recording video that
appears smooth and natural during playback on a TV or
video editing computer.
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Digital Photo Mode
High resolution photos image processing, for capturing
crisp, high-definition photos. Images may be captured in
a choice of different image qualities and compression
sizes to suit your needs. Capture up to 10 stunning 1.7
megapixel (1488 x 1128 pixel) images onto the included
8MB SD Memory Card. Images may be also captured at VGA
(640 x 480 pixel) in standard or fine compression. For
added flexibility, you may take up to 700 still pictures
on a Mini DV single tape (in SP mode). The camera
records the still pictures for approximately 6 seconds,
as well as recording the sound for your verbal notes or
narration. You can search through the recorded tape for
your photos using the supplied remote control.
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Frame Movie Mode
This mode captures video in a unique non-interlaced
method allowing the camcorder to record 30 frames of
video per second. Similar to a motor drive on a 35mm
camera, Frame Movie Mode performs like a Digital Motor
Drive. You'll capture every gesture and expression of
your subject with spectacular clarity. It's perfect for
users who choose to grab high quality still images from
video for making prints, video for website content, or
even sending emotionally charged images over the
internet. The non-interlaced method has even been
acknowledged by users for its cinematic-like appearance.
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DV Recording
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Whether your need is broadcast production or
simply the very best picture quality, the Mini DV format
delivers more than 500 lines of horizontal resolution -
nearly a 25% improvement in picture quality over the best
analog formats. The tape formulation is advanced to last
longer and even withstand repeated use without failure,
virtually eliminating drop out, delivering higher output and
less noise. |
TV and AV Shutter Priority/Aperture
Priority
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The Tv and Av modes permit easy operation
while retaining the creative image controls commonly found
on Canon's 35mm SLR cameras. In the TV mode, select a
shutter speed from 1/8* to 1/15,000 of a second and the GL2
will automatically set a matching aperture. In the AV mode,
select an aperture from f/ 1.6** to f/8 and the GL2
automatically sets a matching shutter speed.
*card camera mode: 1/60 to 1/500 of a second
** card camera mode: f/2 to f/8 |
AV Insert
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Add new video from a VCR or another camcorder
to a tape recorded in SP mode. The camcorder gives you the
option of adding video and/or audio to an existing
SP-recorded DV tape. Input can be digital, or analog video
and analog audio. |
i.Link (IEEE-1394) FireWire
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The DV In/Out interface (IEEE-1394) provides
a high-speed, bi-directional digital link between camcorders
or VCRs for digital to digital editing, which delivers
unmatched versatility and performance. |
Color Viewfinder
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Incorporates 113,000 pixels, providing
excellent viewing clarity, so you can see the recording in
full vivid color. |
LCD View Screen
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The 2.5" (200,000 pixels) view screen makes
it easier to compose sensational shots from any angle. It
swivels and flips for maximum handling comfort and
flexibility. |
Control L (Lanc)
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The Control-L protocol connects camcorders,
VCRs and editing controllers for precise control and ease of
use during editing or dubbing. |
PCM Audio
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Pulse Code
Modulation (PCM) recording for an incredible
96db dynamic range. The Digital camcorder provides two
recording modes, 12 and 16-bit audio. 12-bit creates two
sets of stereo tracks, and 16-bit mode offers one pair of
stereo tracks. Audio dub capability allows you to add an
additional 12-bit stereo track to your original recording.
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Direction Accurate
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This camcorder's built-in microphone
incorporates two pairs of pick-up elements each for left and
right. This arrangement realizes a superior directional
ability and fuller, richer stereo sound. Also, you can
change the microphone frequency characteristics to match the
recording condition (normal, voice, windscreen).
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AE Shift/AE Lock
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By adjusting the AE Shift Control, you can
lighten or darken the image to precisely control the
exposure level of the Program AE modes. In difficult
lighting conditions, AE Lock allows you to lock exposure at
the current level to control the brightness of the image.
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Program AE
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Puts advanced recording techniques at your
fingertips to ensure great results in various shooting
conditions. There are six programs in all, giving you the
balanced control that you have come to expect from Canon.
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Full Auto
Also called the "Green Zone". This is the ideal
selection for general shooting.
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Auto Mode
Similar to Full Auto, Auto handles all camera settings
automatically, but also allows the user to select manual
functions (focus, exposure, white balance, for example).
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Manual Mode
If you want to make all the decisions, this is the mode
to use. Select your own combination of shutter speed,
aperture and gain.
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Spotlight
Designed to be used when subjects are illuminated by
intense light sources, such as under spotlights on a
dark stage. This mode is designed to prevent the subject
from being grossly over-exposed against a dark
background.
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Sand & Snow
This program is designed to prevent a dark,
under-exposed subject when shooting in places with
bright backgrounds, such as a sunny beach or ski resort.
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Top Grip with Recording Controls
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In addition to the side hand grip, the GL2
features a top carrying handle, complete with a duplicate
set of recording and zoom controls. Now you can accommodate
your individual shooting style, as well as make mid to low
angle shooting comfortable and easy. |
Photo Search
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Remember that you can put hundreds of still
images on a DV tape when using the GL2 in Photo Mode. So
having a way to find a particular image is a necessity.
Using the GL2's Remote Control, Easy Photo Search lets you
scan through the still pictures, even if they're recorded
between sections of moving footage. |
Special Effects
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This Feature offers you a variety of scene
transition effects, producing smooth, professional-looking
dissolve and wipe transitions between scenes as you record.
Effects include: Black & White, which removes color from the
video images; Sepia, Art, Mirror, Trail and Strobe, for a
stop-and-go type of motion effect. |
Fader
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Fade Trigger is a digital fade effect. When
you start recording, the scene gradually fades in from a
black screen. When you stop recording, it gradually fades
out. |
Manual Iris
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For fine exposure control, you have access to
19 aperture values for half-stop adjustments from f/1.6 to
closed. |
Time Code
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Records a time code signal along with the
video signal. This time code accurately identifies every
point on the DV tape by hour, minute, second and frame. This
will prove immensely beneficial if you are editing your
footage on your personal computer or a professional video
editing system. |
Data Code
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The DV standard calls for the automatic
recording of date and time, shutter speed, exposure settings
and other key camera data on the tape as you shoot. The GL2
does not permanently superimpose this data over your video,
however. Instead, this data remains hidden until you select
it for display during playback or editing. You can turn the
display on or off at will, and you can decide which data you
want to display. |
Step-Up Features from GL-1
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Mega CCD
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The 3x 1/4-inch 410k Gross pixels (380,000
effective pixels) (vs GL-1 270,000 pixels CCD) Charged
Coupled Device imager provides excellent
detail and clarity, with exceptional digital video
performance. Utilizes 1.7 mega pixel, capturing high quality
still images (1488 x 1128) resolution, and stores them on a
removable SD (Secure Digital) or MultiMedia memory card.
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Manual Audio Level Control with VU
Meters
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For complete control, the GL2 offers
2-channel manual audio adjustment (2 mechanical, dedicated
controls). The audio level can be monitored by an external
illuminated VU meter or in the viewfinder/LCD view screen.
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Picture Adjustment
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Create a custom picture, Preset and store it.
Quick, creative control.
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Color Gain
Adjust the saturation of the color between Off to
Oversaturated. This adjustment allows you to shoot in
black and white.
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Color Phase
Adjust the Color Phase toward red or green for exact
control.
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Camera Sharpness
Adjust the range of picture sharpness to your preference
before recording. Softer may compliment the subject
while sharper will make details more visible.
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Setup Level
Adjust the black level of the video signal for the best
shadow detail.
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Clear Scan
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When shooting the display screen of a
personal computer or a TV, a noticeable rolling black bar or
flickering may appear. This can be eliminated by adjusting
the scanning frequency setting on the camcorder.
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Color Bars
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The camcorder generates SMPTE color bars for
accurate matching to your monitor or edit suite.
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Character Recording
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Some video applications (such as law
enforcement, including interrogations, crime scene
documentation, depositions and court room proceedings)
require identification of date, time and time code of each
recording. To accommodate this, the GL2 can be set to
permanently record this information by superimposing it over
the video image. |
Variable Zebra Level
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Reveal areas of overexposure, using these
diagonal stripes to guide you when setting the aperture and
shutter speed. Select from five levels: 80, 85, 90, 95, and
100%. |
Gain Control
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Picture sensitivity can be adjusted. Shooting
is possible with increased gain to enhance picture
brightness in dark conditions, or decrease gain to reduce
noise. Adjustment is made in four steps: 0, +6dB, +12dB and
the newly added +18dB. |
16:9 Guides
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When composing shots in the 4:3 aspect ratio,
which will be displayed on a wide-screen TV or transferred
to film, users may engage 16:9 Guides. These guides appear
as thin white lines over the video image to create a 16:9
safe area. Now it is easy to compose shots for wide-screen
and eliminate the need to mark the viewfinder or director's
monitor. The Canon GL1 includes another 16:9 aspect ratio
recording mode simply called 16:9. In this mode, which was
included on the original Canon GL1, an electronic anamorphic
stretch effect is applied to the video to deliver a 16:9
wide screen image. |
Analog to Digital Conversion with
Pass-Through
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For instant editing, simply connect your TV,
VCR, or analog camcorder to the camcorder, and send the
analog signal directly to your computer's IEEE-1394
terminal, without recording to tape. If you choose, you may
first record the analog signal to DV tape, allowing you to
create a high-quality master of your original. |
Card Slot
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You can expand video possibilities by using
an SD (Secure Digital) Memory Card or a MultiMediaCard in
addition to a Mini DV cassette. These ultra-small and
ultra-light media record, store and manage still images, as
well as allow easy transfer of still images to a PC with the
camcorder. |
Recording Media MultiMedia Card/SD
Memory Card
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Number of recording pixels: 1488 x 1128
Pixels.
File format: JPEG (compression mode: Fine/Standard)
Estimated MultiMedia card MMC-8M capacities (approx.): 6
images (Fine mode), 10 images (Standard mode). The actual
number you can record varies, depending on the image.
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Interval Recording
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Continuous recording with intervals is
possible for users who are seeking to capture a compressed
version of real time (such as sunsets, flowers blooming), or
create animation. Users may select a recording time of 0.5,
1.5, or 2 seconds, which will be recorded at an interval of
30 seconds, one, five, or 10 minutes. |
Custom Keys and Presets
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One Custom Key
The camcorder offers a Custom Key (one setting for
camera mode and one for VCR mode). This lets you create
and save your own custom settings so your common
shooting modes can be readily duplicated. Select options
from either the Camera Menu or the VCR Menu and create a
customized setting for each.
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Custom Preset Key
In addition to creating a custom setting for camera and
VCR mode via the custom key, you also can establish one
preset registration for the following camera features:
Camera Sharpness, Color Gain, Setup Level, and Color
Phase.
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USB Terminal
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Allows high speed transfer of memory card
data to computers mounting the USB terminal. By using the
USB cable and software provided, you can process and
organize still images on your PC. The camcorder functions as
a memory card reader/writer. Bundled software: ZoomBrowser
EX (Windows)/ImageBrowser (Macintosh). You can easily
download, browse, archive and retouch still images.
Automatically resize images and attach them to e-mail,
arrange them for printing, and add text anywhere on the
page. |
Index Recording
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You can mark "the best take" when you are
shooting, for easy access when playing back in the VCR mode.
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Advanced Accessory Shoe
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The shoe transmits power directly from the
GL2. You can choose to attach the optional DM-50 Directional
Stereo Microphone, shotgun mic with high sensitivity and
super directional pick-up. Use when recording or dubbing
audio. Or, attach the optional VL-3 Video Light, which can
either stay on continuously or turn on/off automatically, in
response to changes in the brightness of the shooting
situation. |
EVF Data Display
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One of three data displays can be selected to
show camera data in the viewfinder. This allows the camera
operator to choose how much data about the camera settings
he would like superimposed over the image in the viewfinder.
The choices include no data, partial data and all data.
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Power Save
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This feature allows you to turn the recorder
section off, leaving the camera section turned on, so you
can adjust the camera section without worrying about the
automatic shut-off (5-minute timer). |
Slow Shutter Speed
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Whether your aim is a "streaming" background
when panning, or brighter recording in low light, you can
choose from three slow shutter settings: 1/8, 1/15 and 1/30
of a second. |
Zoom Speeds
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The GL2 is outfitted with 4 zoom speed options: Variable
(pressure controlled) or Low, Medium and Fast. These apply
to the zoom rockers on the handgrip and the top grip (3 zoom
speeds). |
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Specifications |
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System |
NTSC |
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Format |
Mini DV (6mm) |
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CCD |
3 CCD, 1/4" 410,000 Gross Pixels, 380,000 Effective
Pixels, with Pixel Shift Technology |
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Audio |
PCM Digital Stereo, 12-bit/32kHz/4ch,
16-bit/48khz/2ch |
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Zoom |
20x Optical, 40 or 100x Digital (for 35mm conversion
39.5-790mm) |
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Lens |
4.2-84mm f/1.6-2.9 (L-Series Fluorite Lens)
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Filter Size |
58mm |
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Image Stabilizer |
Yes, Optical Image Stabilization (OIS) |
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Lux |
6 Lux, 0.37 Lux (slow shutter at 1/8 of a second)
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Viewfinder |
0.44" Color (180,000 Pixels) |
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LCD Monitor |
2.5" LCD Monitor |
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Manual Controls |
Focus (Ring), Exposure, White Balance, TV/AV Image
Control, Picture Control, Shutter Speed (1/8 - 1/15,000), Audio
Level Control |
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Date & Time |
Yes |
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Time Code |
Yes |
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A/V Dubbing |
Yes |
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Line In Recording |
Yes, Analog & Digital |
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Inputs |
x IEEE-1394 (4-pin), 1x S-Video, 1x A/V (Mini-RCA)
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Output |
Same as the Inputs, plus USB Port |
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Card Slot |
SD (Secure Digital)/MM (MultiMedia) |
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Special Effects |
Black & White, Sepia, Art, Mirror, Trail and Strobe -
for a stop-and-go type of motion effect |
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Fader |
Yes |
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Titler |
No |
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Microphone Input |
Yes, (Mini Stereo) |
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Headphone Jack |
Yes, (Mini Stereo) |
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Accessory Shoe |
Yes, Advanced Shoe (Hot Shoe) |
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Built-in Light |
No, Optional VL-3 Light |
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Tape Loading |
Side Top Loading |
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Power Consumption |
7.2v DC, 4.8w (using viewfinder), 5.7w (using LCD
screen), AC 110/240v, 50/60Hz |
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Dimensions (WxHxD) |
4-5/8 x 5-3/8 x 12" (118 x 136 x 306mm) |
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Weight |
2 lbs. 7-1/2 oz. (1.12kg) |
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Specialties |
SP/LP, 16:9 Wide Screen Mode, TV (Time Value) & AV
(Aperture Value), Controls, Picture Adjustments |
A-20050422-
1227-130-E
M-20060921-1227-138-E
*This item is BRAND NEW -
not refurbished. It comes with all manufacturer supplied accessories, and full
manufacturer's USA warranty.
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