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Midas VENICE 160 Audio Console 16
Channnel, Frequency Response 20Hz-20kHz; Inputs (total): 30; Mono-Inputs (Mic/Line)
with Inserts: 8; Stereo-Line/Mono-Mic-Input Channels: 4/4; Stereo-Effect-Returns
(Line): 4; Stereo-Tape-Return (Line): 1 left / 1 right; Busses: 15; Subgroups:
4; Aux Pre-Fader (Monitor): 2; Aux Post-Fader (Effects): 2; Aux switchable Pre/Post-Fader:
2; Master L/R: 2; Mono-PFL: 1; Stereo-AFL: 2; Outputs: Subgroups (with Inserts):
4 impedanced balanced 1/4 inch jacks; Aux Pre-Fader (Monitor): 2 XLR (balanced);
Aux Post-Fader (Effects): 2 impedanced balanced 1/4 inch jacks; Aux switchable
Pre/Post-Fader: 2 XLR (balanced); Master (with Inserts): 2 XLR (balanced);
Master B Out: 2 XLR (balanced) (switchable Mono/Stereo, pre-post Fader); Tape
Send (Recording): 1 Stereo (Phono); Direct Outputs (1/4 inch Jack): 8; Stereo-Headphones:
2 Stereo-1/4 inch jack; Stereo-Speakers: 2 impedanced balanced 1/4 inch jacks.
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General
Information |
|
Manufacturer |
Midas |
|
Manufacturer
Part Number |
Venice 160 |
|
Product
Line |
Audio Console |
|
Product
Name |
Venice 160 |
|
Marketing Information |
Venice is Midas' first truly compact console
built in direct response to customer demand.
It does exactly what was asked in that it provides a high quality
alternative in a huge number of applications where previously Midas was
not an option.
These range from smaller conference or live band applications, to
effects returns or additional inputs in a large multi-console
application, or indeed as part of a small complete mobile system.
It also provides the perfect feature set for live acts who need to mix
their own FOH and monitor sound from on-stage, and is compact and light
enough to fit on even the most cramped performance area.
As usual, Midas has paid attention to the details that set their
consoles apart taking care to provide high quality mic preamps and a
stable, responsive EQ section, just as they do on their larger consoles.
The simple but intuitive outputs make the overall configuration of the
console extremely quick and easy to use. |
|
Specifications |
|
Inputs |
| Inputs
(total) |
30 |
| Mono-Inputs (Mic/Line)
with Inserts |
8 |
| Stereo-Line/Mono-Mic-Input
Channels |
4/4 |
| Stereo-Effect-Returns
(Line) |
4 |
| Stereo-Tape-Return
(Line) |
1 left/right |
|
|
Busses |
|
Busses |
15 |
|
Subgroups |
4 |
|
Aux Pre-Fader
(Monitor) |
2 |
|
Aux Post-Fader
(Effects) |
2 |
|
Aux
switchable Pre/Post-Fader |
2 |
|
Master L/R |
2 |
|
Mono-PFL |
1 |
|
Stereo-AFL
|
2 |
|
|
Outputs |
| Subgroups (with
Inserts) |
4 impedanced
balanced 1/4 inch jacks |
| Aux Pre-Fader
(Monitor) |
2 XLR (balanced) |
|
| Aux Post-Fader
(Effects) |
2 impedanced
balanced 1/4 inch jacks |
| Aux
switchable Pre/Post-Fader |
2 XLR (balanced) |
|
| Master (with
Inserts) |
2 XLR (balanced) |
|
| Master B Out
2 XLR (balanced) (switchable Mono/Stereo, pre-post Fader)
|
2 XLR (balanced) |
|
| Tape Send (Recording)
|
1 Stereo (Phono) |
|
| Direct
Outputs (1/4 inch Jack) |
8 |
|
| Stereo-Headphones
|
2 Stereo-1/4 inch
jack |
| Stereo-Speakers
|
2 impedanced
balanced 1/4 inch jacks |
|
|
Additional Features |
| Connector for desk lamps
|
2 x 12V/5W (4-Pin XLR) |
| 19“-rack-mounting- kit,
|
yes |
| rotatable connector panel |
yes |
| Accesories |
Dust Cover (included)
12 V Desk Lamp (not included)
Input Transformer (not included)
|
|
|
Technical Data |
| Input Impedance |
|
|
|
| |
Mic |
2 Kohms
Balanced |
| |
Line |
20
Kohms Balanced |
| Input Gain
|
|
|
|
| |
Mic |
Continuously variable 0dB to +60dB |
| |
Line |
(Mono
Channell) Continuously variable -20dB to +40dB |
| |
Line |
(Stereo
Channel) Continuously variable -10dB to +20dB |
| |
Line Level Inputs |
|
0dB |
|
| Maximum Input Level
|
|
|
|
| |
Microphone and Line |
|
+22dBu |
|
| |
Line Level Inputs (Mono)
|
|
+42dBu |
|
| |
Line Level Inputs (Stereo)
|
|
+22dBu |
|
| CMR at 1kHz
|
|
|
|
| |
Mic (Gain +30dB) |
|
> 80dB |
|
| |
Line |
|
> 40dB |
|
| CMR at 100Hz
|
|
|
|
| |
Mic (Gain +30dB) |
|
70dB typical |
|
| Frequency Response
(20Hz-20kHz) |
|
|
|
| |
Mic to Mix (Gain +60dB)
|
|
+ 0dB to -1dB |
|
| Noise (20Hz-20kHz)
|
|
|
|
| |
Mic EIN ref. 150gain +60dB
|
|
-129dBu
|
|
| |
Mic EIN ref. 150gain 0dB
|
|
-107dBu |
|
| System Noise
(20Hz-20kHz) |
|
|
|
| |
Summing Noise (12 channels routed,
faders down) |
|
-90dBu |
|
| |
Line to Mix Noise (12 channels
routet at 0dB) |
|
-84dBu |
|
| Distortion at 1kHz
|
|
|
|
| |
Mic to Insert (+30dB Gain. +20dBu
Output) |
|
Typ 0,0007%
|
|
| |
Mic to Master (+30dB Gain, +20dBu
Output) |
|
< 0,009% |
|
| Crosstalk at 1kHz |
|
|
|
| |
Channel to Channel |
|
< -80dB
|
|
| |
Mix to Mix |
|
< -80dB
|
|
| |
Channel to Mix |
|
< -80dB
|
|
| |
Fader Attenuation |
|
> 100dB
|
|
| |
Switch Rejection |
|
> 100dB |
|
| Output Impedance |
|
|
|
| |
Line Outputs |
|
75 Ohm balanced
|
|
| |
Headphones |
|
to drive 32 Ohm |
|
| Maximum Output Level
|
|
|
|
| |
Master Outputs |
|
+25dBu |
|
| |
Line Outputs |
|
+22dBu |
|
| |
Headphones |
|
+22dBu / 600 |
|
| Nominal Signal Level
|
|
|
|
| |
Microphone |
|
- 60dBu to 0dBu
|
|
| |
Line |
|
0dBu |
|
| Equaliser Mono Channel
|
|
|
|
| |
Hi Pass Filter |
2nd
order Butterworth, 80Hz |
| |
Treble |
+/-15dB
at 12kHz (Shelv) |
| |
Hi Mid |
Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB |
| |
Lo Mid |
Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB |
| |
Bass |
+
/-15dB at 80Hz (Shelv) |
| Equaliser Stereo
Channel |
|
|
|
| |
Treble |
+/-15dB
at 12kHz (Shelv) |
| |
Hi Mid |
3kHz
(1,4 Oct) +/-15dB |
| |
Lo Mid |
300Hz
(1,4 Oct) +/-15dB |
| |
Bass |
+/-15dB
at 80Hz (Shelv) |
|
|
Physical Characteristics |
|
Dimensions |
(mm/inch) Width 490 / 19.3", Depth 568 /
22.4", Heights 194 / 7.6" |
|
Weight |
(kg/lb) 16,4 / 36.2 |
A-20050308-1250-117-L
M-20051115-1250-116-E
M-20051223-1250-109-E
*This item is BRAND NEW -
not refurbished. It comes with all manufacturer supplied accessories, and full
manufacturer's USA warranty.
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